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・ Egon Olsen
・ Egon Orowan
・ Egon Pajenk
・ Egon Pearson
・ Egon Petri
・ Egon Piechaczek
・ Egon Pollak
・ Egon Ramms
・ Egon Ranshofen-Wertheimer
・ Egon Ranshofen-Wertheimer Award
・ Egon Ronay
・ Egon Sassmannshaus
・ Egon Scheibe
・ Egon Schein
・ Egon Scheiwiller
Egon Schiele
・ Egon Schiele Art Centrum
・ Egon Schiele – Exzess und Bestrafung
・ Egon Schulte
・ Egon Schultz
・ Egon Schweidler
・ Egon Schöpf
・ Egon Seefehlner
・ Egon Sendler
・ Egon Solymossy
・ Egon Spengler
・ Egon Stephansen
・ Egon Steuer
・ Egon Sundberg
・ Egon Svensson


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Egon Schiele : ウィキペディア英語版
Egon Schiele

Egon Schiele ( ; 12 June 1890 – 31 October 1918) was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century. His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including naked self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism.
==Early life==

Schiele was born in 1890 in Tulln, Lower Austria. His father, Adolf Schiele, was the station master of the Tulln station in the Austrian State Railways; his mother Marie, née Soukupová, was a Czech from Český Krumlov (Krumau), in southern Bohemia. As a child, Schiele was fascinated by trains, and would spend many hours drawing them, to the point where his father felt obliged to destroy his sketchbooks. When he was 11 years old, Schiele moved to the nearby city of Krems (and later to Klosterneuburg) to attend secondary school. To those around him, Schiele was regarded as a strange child. Shy and reserved, he did poorly at school except in athletics and drawing,〔F. Whitford, 1981, p30〕 and was usually in classes made up of younger pupils. He also displayed incestuous tendencies towards his younger sister Gertrude (who was known as ''Gerti''), and his father, well aware of Egon's behaviour, was once forced to break down the door of a locked room that Egon and Gerti were in to see what they were doing (only to discover that they were developing a film). When he was sixteen he took the twelve-year-old Gerti by train to Trieste without permission and spent a night in a hotel room with her.〔F. Whitford, 1989, p29〕

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